设计单位  Peter Cook Studio Crablab 彼得庫克實驗室

项目地点  英国伦敦

建成时间  2025年

建筑面积  87平方米

本文文字由Peter Cook Studio Crablab提供。

“玩耍”超越了生存、成就与常识。它鼓励我们——或者至少允许我们——去探索、去悠然自得地徘徊在一种介于“偏离常规”与“大胆幻想”之间的状态中，获得一种毫不掩饰的愉悦感。

Play transcends survival, achievement and common sense. It encourages, or at least permits us, to explore and idly delight in a territory between the wayward and speculative towards unashamed amusement.

这个展亭坐落于树林之间，邻近一座知名的文化机构，正对2025年蛇形画廊展亭，距离标志性的蛇形湖仅几步之遥。因此，它在空间中扮演着一种呼应与调和的角色——像个小丑、一个爱搞怪的孩子，邀请路人走进它，与它一同玩耍，成为这个欢乐装置的一部分。

A Pavilion, amongst the trees, neighbours a famous institution, sits across from the Serpentine 2025 Pavilion, and is a hop, skip and a jump away from the iconic Serpentine Lake. It thus plays a reciprocal role –the fool, the joker, the mischievous child, offering spectators a chance to come inside, play WITH it and become part of this jolly thing.

这是一个富有戏剧性的空间。远远望去，展亭内部升起的奇异造型若隐若现，勾起好奇心。走近之后，墙体被穿孔、切割、挖空，仿佛在说：“来吧，进来看看。”一位孩子可能突然从滑梯中滑出，另一位可能从地面上的小洞中钻入，打破人们对传统入口的认知；而那张嘴巴形状的开口中，则可能是一位演说者、表演者或歌者正在对外讲述、表演、歌唱。声音传向远方，引人驻足。

It is a piece of theatre. From a distance, intriguing shapes rise from within the structure, although partly obscured. Inside, the walls are pierced and scooped-away, welcoming you to come inside and sees more, engage in the activities. A child might pop out on a slide, another may crawl through a hole on the ground, mystifying conventional entrance routes. Another, mouth-shaped opening, reveals an orator, performer, or singer entertaining eavesdroppers beyond.

走近细看，一个大家熟悉且热爱的创意玩具——乐高，被巧妙地融入设计之中，构建出一组组富有活力的形态。整个“乐玩亭”就像是一个巨型视觉艺术玩具。内部大面积设置了乐高面板，邀请参观者在这里亲手搭建属于自己的城堡、森林、住宅、太空世界，甚至完全无厘头的幻想之作——共同构建出一个不断演变的“总体艺术作品”（Gesamtkunstwerk）。

Upon closer inspection, the well-loved creative toy – LEGO is integrated into the design with a continuous flow of lively shapes. The entire Play Pavilion is a graphic toy. Inside there are large swathes of LEGO panels inviting visitors to make their own castles, forests, homes, space-worlds or entirely random inventions, contributing to the overall Gesamtkunstwerk (total work of art).

它是一个适合小型活动、聚会、工作坊和表演的空间。整个展亭以一个穹顶为核心结构，表面肌理在不同区域展现出不同的强度和节奏。项目本身经历了多轮图纸的绘制与重绘，精心推敲画面感与动线之间的平衡。

It’s a space for gatherings, small events, workshops and performances. The Play Pavilion is a dome with surfaces that vary in intensity. The project involved the drawing and re-drawing and re-drawing of the pictorial elements in order to balance the hot spots and the action zones.

五彩斑斓的穹顶向下逐渐过渡为半透明的基座，与从内部升起、包覆乐高的塔柱形成鲜明对比。这些“塔”各具风格：有的接近装饰艺术风格，有的带有哥特感，还有的如卡通形象般夸张趣味，所有的一切都在邀请观众靠近、参与和想象。

Its colourful dome transitions toward a translucent base, playing against the LEGO-clad towers, each has a distinct character: either Art Deco, almost Gothic, or almost cartoon-like, and all inviting your engagement.

白天，这里充满活力；夜晚降临，它则如灯笼般温柔地发光，仿佛进入梦境。它也是对不远处庄严的阿尔伯特纪念碑的一种回应——提醒我们：我们其实不必总是那么严肃。

Active by day and dream-like at dusk, it glows like a lantern. An emphatic nod towards the challenge once made by the Albert Memorial nearby, it reminds us we should not always take ourselves too seriously.

设计图纸 ▽

项目信息
项目名称：乐玩亭/游戏展亭（Play Pavilion）
建筑师团队：Peter Cook（彼得·库克）、Pablo Wheldon（帕布罗·韦尔登）、Cong Ding（丁聪）（Peter Cook Studio CRABLAB 彼得庫克實驗室）
协助：邹沛言、刘又齐
结构工程：AECOM
施工单位：Stage One
项目面积：87平方米
项目地点：英国伦敦
建成时间：2025年

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