Diller Scofidio + Renfro 将伦敦机库改造为V&A东馆库房
Diller Scofidio + Renfro transforms London hangar into V&A East Storehouse

由专筑网Yinglin，小R编译

美国工作室Diller Scofidio + Renfro完成了V&A东馆库房的设计，这是伦敦维多利亚与艾尔伯特博物馆一个可供公众访问的工作存储设施。

该设施占地16,000平方米，位于女王伊丽莎白公园的东岸文化区。这里收藏了25万件物品、35万册书籍和1000份档案，并将于本周末向公众开放。

这是维多利亚与艾尔伯特博物馆在东伦敦新建的首个文化场馆，而维多利亚与艾尔伯特东岸博物馆计划于2026年春季开放。

American studio Diller Scofidio + Renfro has completed V&A East Storehouse, the publicly accessible working storage facility of the Victoria and Albert Museum in London.
Built as part of the East Bank cultural quarter in the Queen Elizabeth Park, the 16,000-square-metre facility houses 250,000 objects, 350,000 books and 1,000 archives, and is set to open to the public this weekend.
It forms the first of two new cultural venues being created by the Victoria and Albert Museum (V&A) in east London, with the V&A East Museum scheduled to open in spring 2026.

▲ Diller Scofidio + Renfro 已完成伦敦V&A东馆库房的设计
Diller Scofidio + Renfro has completed the V&A East Storehouse in London

V&A东馆库房由 Diller Scofidio + Renfro 设计，旨在成为博物馆仓储的新模式。

其设计包括对Here East机库的彻底改造，这是一个工业媒体综合体，最初是为2012年伦敦奥运会建造的广播中心。

工作室联合创始人Elizabeth Diller在建筑预展期间告诉Dezeen：“我们基本上只是在（建筑的）工业感基础上进行建设。”

V&A East Storehouse is designed by Diller Scofidio + Renfro as a new model for museum storage.
Its design included the overhaul of a large section of the Here East hangar – an industrial media complex originally built as the broadcasting centre for the 2012 London Olympics.
"We basically just built on the industrial feel [of the building]," studio co-founder Elizabeth Diller told Dezeen during a preview of the building.

▲ 一楼设有咖啡馆和工作区
A cafe and work space is held at ground level

Diller补充说：“它的建造坚固且非常简单。建筑外围是实心的——没有窗户，楼板进深很大。这是一块完美且可以大展拳脚的白板。”

工作室负责人David Allin继续说道：“我们认为，这座建筑本身就非常适合进行这种简单的改造，并轻松地结合新的走道和结构。”

在外部，建筑的玻璃立面基本保持原样，只有一个黑色的塔楼用作设施入口的标识。

这个空间通向一个大堂，大堂外的一条入口大厅沿着建筑前部延伸，提供了一个配有开放式座位区的咖啡馆和工作空间。

"It is built strong and really simple. The periphery is solid – it doesn't have windows and has a very deep floor plate," added Diller. "It was the perfect blank slate to do something with."
"The building, as we inherited, lent itself to this very easy adaptation and anchoring of new walkways and structures," continued studio principal David Allin.
Externally, the building's glazed facade remains largely untouched, with a black tower used to signpost the facility's entrance.
This space opens up to a lobby, off of which an entrance hall runs along the building's front, providing a cafe and work space complete with an open-plan seating area.

▲ 存储货架被用来展示文物
Storage racks are used to display artefacts

从这里，一个中央楼梯引导游客从大堂进入主大厅，楼梯两侧是成排的金属存储货架，这些货架也兼具展示功能。

在项目的中心，室内空间豁然开朗，进入了韦斯顿藏品大厅（Weston Collections Hall），这是一个20米高的中庭，顶部是半透明的屋顶采光口。

一个宽敞的平台位于空间的中心，作为一个观景区域，可以通过一个玻璃地板开口俯瞰其上三层和下方的景象。装满文物的货架向四面八方延伸，通过金属网格地板和玻璃护栏，人们可以一览无余地欣赏到壮观的藏品。

From here, a centralised staircase guides visitors from the lobby into the main hall, flanked by rows of metal storage racks that double as displays.
At the programme's centre, the interior opens up to the Weston Collections Hall, held within a 20-metre-high void crowned with translucent roof openings.
A spacious platform occupies the centre of this space, serving as a viewing area overlooking its three upper floors and below through a glazed floor opening. Racks filled with artefacts extend outwards in every direction, with views across the vast collection enabled by mesh metal grating flooring and glass guardrails.

▲ 主厅位于一个20米高的中庭内
The main hall is held within a 20-metre-high void

Diller解释说：“我们从一开始就决定将光线引入核心区域，使其成为公共空间。这种方式让建筑拥有了中心，并使其成为了公共空间。”

六件大型物品成为该空间的永久展品，其中包括罗宾汉花园（Robin Hood Gardens） 的一块悬挂碎片——这是位于东伦敦一个已被拆除的粗野主义住宅区。

同样展出的还有重达18吨的阿格拉柱廊（Agra Colonnade），这是“17世纪莫卧儿建筑的非凡典范”，它设置于地面层受限的藏品区。

该设施通过核心部分的布局进行导览，建筑的内部区域为游客设计，而外部区域则设计为存储区和私人区域，在每一层，都有桥梁从中心区域延伸出来，提供了俯瞰这些限制区域的视角。

一个从中央中庭向上的楼梯通向建筑的上层，那里还有额外的空间，包括用玻璃墙围合的多功能工作室，让游客可以观察内部的活动。

"We decided right at the beginning that we wanted light right at the core as the public space," Diller explained.  "It was a way of domesticating the building by making it a public space and giving it a centre because it was centreless."
Six large-scale objects were chosen as permanent pieces within the space, including a suspended fragment of the Robin Hood Gardens – a brutalist residential estate in east London that was demolished.
Also on display is the 18-tonne Agra Colonnade, an "extraordinary example of 17th-century Mughal architecture", which runs along the restricted ground-floor collection space.
The facility is navigated via concentric layers, with the building's inner area designed for visitors and the outer layers reserved for deep storage and private access. Bridges peel off from the central area at each level to provide views overlooking these restricted spaces.
A staircase leading up from the central void provides access to the building's upper floors, where additional spaces include multipurpose studios finished with glass walls to allow visitors to observe activities.

▲ 空间内展示着六件大型物品
Six large-scale objects are on show in the space

在其他方面，Diller Scofidio + Renfro 事务所最近在威尼斯建筑双年展上揭幕了其与V&A合作策划的“On Storage”展览。展览展出了该库房的照片、图纸和模型，以及一部由该工作室执导的影片。

同样在该活动上，该工作室还创造了可拆卸的 La Libreria 书店和一个利用运河水制作咖啡的过滤系统。

Elsewhere, Diller Scofidio + Renfro recently unveiled its On Storage exhibition at the Venice Architecture Biennale, curated in collaboration with the V&A. It features photos, drawings and models of the storehouse, as well as a film directed by the studio.
Also at the event, the studio created the demountable La Libreria and a filtration system that uses canal water to make coffee.

摄影：Hufton+Crow

The photography is by Hufton+Crow.

本文版权归腿腿教学网及原创作者所有，未经授权，谢绝转载。

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