Willett 与 Ome Dezin 联手，翻新洛杉矶中世纪CM G1住宅
Willett and Ome Dezin renovate mid-century CM G1 House in LA

由专筑网Yinglin，小R编译

洛杉矶家具设计工作室 Willett 与室内设计和开发工作室 Ome Dezin 合作，重新构想了位于月桂谷山间的一座上世纪60年代住宅。

Ome Dezin 的负责人 Jesse Rudolph 和 Joelle Kutner 与 Willett 携手，在修复和翻新这栋面积为2920平方英尺（约271平方米）的 CM G1住宅的过程中，将 Willett 的家具设计理念以更宏大、更整体的规模付诸实践。

LA-based furniture design studio Willett has worked with interior design and development studio Ome Dezin to reimagine a 1960s residence in the hills of Laurel Canyon.
Ome Dezin principals Jesse Rudolph and Joelle Kutner partnered with Willett to execute his vision for furniture on a larger, more holistic scale during the restoration and renovation of the 2,920-square-foot (271-square-metre) CM G1 House.

▲ 板条式前门是 Willett 为 CM G1住宅创作的众多定制设计之一
The slatted front doors are one of many custom designs that Willett created for the CM G1 House

除了营造独特的氛围外，这次彻底的内部改造旨在改善空间之间的流动性，并更好地将它们与室外及自然环境连接起来。

该团队表示：“这次大胆、感性且连贯的改造，既向住宅的起源致敬，又引入了鲜明的现代活力。”

As well as cultivating a distinct atmosphere, the full gut remodel aimed to improve the flow between the spaces and better connect them to the outdoors and natural surroundings.
"The bold, sensual, and cohesive transformation honours the home's origins while introducing a distinctly modern vitality," said the team.

▲ Willett 的多款现有设计也出现在住宅中，包括沙漏形的 Radi 餐桌和餐椅
Several of Willett's existing designs also feature in the home, including the hourglass-shaped Radi Table and Dining Chairs

在整个空间中，温暖的道格拉斯冷杉木呼应了中世纪的时代特征，而滑动玻璃门则将室内与繁茂的花园连接起来。

Willett 为这栋住宅创作了多个定制元素，从板条式前门和书房写字台，到主卧室中一个集成了书桌、日床和储物空间的巨大嵌入式系统。

Throughout the property, warm Douglas fir was applied to reference the mid-century era and sliding glass doors connect the interior to the lush garden.
Willett created multiple custom elements for the house, ranging from the slatted front door and study desk, to an expansive built-in system in the primary bedroom that incorporates a desk, daybed and storage.

▲ 翻新工程包括一个翻修过的壁炉和一系列天窗
Interventions include a refurbished fireplace and a series of skylights

今年早些时候，设计师在一场火灾中失去了自己的家，之后他在 The Future Perfect 的一个群展上展出了几件他曾为自己家设计的家具。

其中几件作品也出现在了 CM G1住宅中，包括圆柱形桌腿的 Tonn 桌和 Gio 凳，沙漏形的 Radi 桌椅，以及亮红色的 Popo 椅。

The designer lost his home in Altadena during the devastating fires earlier this year, and afterwards exhibited several pieces of furniture he had designed for its spaces as part of a group show at The Future Perfect.
Several of these pieces are featured in the CM G1 House, including the cylindrical-legged Tonn Table and Gio Stool, the hourglass-shaped Radi Table and Chairs, and the glossy red Popo Chair.

▲ 黑色石板地面贯穿多个空间，包括书房
Black flagstones extend through many of the spaces, including the study

与这些作品一同亮相的，还有 Willett 的 Early Works: Group 01 系列中的新增作品——皮革材质的 Poporo 餐椅、Popo 吧台凳和 KOC 梳妆台——这些作品在该项目中首次亮相，并将于今年春季正式发布。

团队表示：“对于 CM G1 住宅，Willett设想了一个完整的设计生态系统：一个从布局到家具，每一个元素都反映了独特且高雅的观点的地方。”

These are joined by new additions to Willet's Early Works: Group 01 collection – the leather Poporo dining chair, Popo counter stools, and the KOC Dresser – that are debuting in this project before launching this spring.
"For the CM G1 House, [Willett] envisioned a complete design ecosystem: a place where every element, from the layout to the furniture, reflects a singular, elevated point of view," said the team.

▲ 主卧室中出现了更多的定制家具，构成了一张书桌、储物空间和一张沙发床
More custom furniture appears in the primary bedroom, forming a desk, storage and a day bed

为了将各个空间联系起来，入口处的地板铺设了黑色石板，这种材质也延伸至厨房、用餐区和书房，并一直延续到后院。

深色大理石构成了厨房和浴室的台面与后挡板，并勾勒出门框线条，与大面积的木工作品形成了视觉上的对立。

Tying the spaces together, black flagstones cover the floor in the entryway and repeat across the kitchen, dining area and study, then extend out to the back yard.
Dark marble forms countertops and backsplashes in the kitchen and bathrooms, and lines the door frames, providing a visual counterpoint to the extensive millwork.

▲ 一个衣柜被镜子包裹，镜面被一条双色木质水平带打断
A closet is wrapped in mirrors that are interrupted by a horizontal band of two-toned wood

同样，客厅中一个经过翻新的转角壁炉壁炉边饰和炉床，在木质饰面之间提供了焦点。

深绿色和泥土色调贯穿整个空间，而一间浴室则铺设了蓝色方形瓷砖，形成对比。

一个衣柜被通顶的镜子包裹，镜面被一条双色木板组成的水平带打断，门把手则以微小的立方体形式融入其中。

各个房间还增设了天窗，引入更多的自然光。

Similarly, a refurbished corner fireplace surround and hearth provides a focal point between wood surfaces in the living area.
Deep greens and earthy hues carry through the spaces, while a bathroom is lined in blue square tiles as a moment of contrast.
A closet is wrapped in floor-to-ceiling mirrors interrupted by a horizontal band of two-tone wood panels that incorporate the door handles as tiny cubes.
Skylights were also introduced in various rooms to bring in additional natural light.

▲ 温暖的道格拉斯冷杉木被选中，呼应建筑的中世纪起源
Warm Douglas fir wood was chosen to complement the building's mid-century origins

Ome Dezin 从本地古董店 DEN 精心挑选了其余的家具和物品，地毯则来自艺术家 Scarlett Rouge 为 CC-Tapis 设计的 Whispers 系列。

团队说：“这栋住宅拥抱了自然环境，并传达了这个社区的创作精神，这里长久以来一直受到艺术家和音乐家的珍视。最终呈现的是一个私密、具有建筑感的休憩之所，感觉有意为之，清新而宁静。”

Ome Dezin curated the selection of remaining furnishings and objects from local antique store DEN, along with carpets from artist Scarlett Rouge's Whispers collection for CC-Tapis.
"The home embraces the natural setting and channels the creative spirit of the community, long cherished by artists and musicians," said the team. "The result is a private, architectural retreat that feels intentional, fresh, and serene."

▲ 黑色石板地面穿过滑动玻璃门，延伸至繁茂的后院
The black flagstones extend through sliding glass doors to the lush back yard

Ome Dezin 已经在整个大洛杉矶地区修复了多座具有重要建筑意义的住宅，包括由 A Quincy Jones 于上世纪60年在布伦特伍德设计的一处房产。

这座城市不乏中世纪住宅，其他近期经过翻新的项目包括 Ray Kappe 的 Glass Ridge住宅、Duane 住宅以及银湖区一栋上世纪50年代的住宅。

Ome Dezin has restored several homes of architectural significance across the greater Los Angeles area, including a Brentwood property designed by A Quincy Jones in 1960.
The city has no shortage of mid-century residences, and others that have recently received a refresh include Ray Kappe's Glass Ridge House, the Duane House and a 1950s home in Silver Lake.

摄影：Yoshihiro Makino

The photography is by Yoshihiro Makino.

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